• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar
  • Skip to footer
Trending:
  • Kashmir
  • Elections
Tuesday, July 7, 2026

Daily Times

Your right to know

  • HOME
  • Latest
  • Iran-Israel war
  • Gilgit Baltistan Election
  • Pakistan
    • Balochistan
    • Gilgit Baltistan
    • Khyber Pakhtunkhwa
    • Punjab
    • Sindh
  • World
  • Editorials & Opinions
    • Editorials
    • Op-Eds
    • Commentary / Insight
    • Perspectives
    • Cartoons
    • Letters to the Editor
    • Featured
    • Blogs
      • Pakistan
      • World
      • Lifestyle
      • Culture
      • Sports
  • Business
  • Sports
  • E-PAPER
    • Lahore
    • Islamabad
    • Karachi

By Amjad Parvez

Zahida Parveen — the nightingale

Published on: June 22, 2017 10:52 PM

The great Kafi singer Zahida Parveen was born in Amritsar, Punjab, British India in 1925. Critics say that she was a ‘Peerni’ (saintly figure) by caste and not a ‘tawaif’ (red light area) singer. Her parents died at an early stage. She was raised by one of the two elder sisters namely Peeran Ditti (gift of Saints). Zahida Parveen was of short height and she was a dark complexioned lady. Because of these physical traits she was often referred to as the black nightingale; the latter title because of her expert singing. Initially she became a pupil of sarangi player Baba Taj from Kapurthalla on the recommendation of her elder sister. Then she came under the umbrella of Hussain Bakhsh Khan sarangi player from Amritsar. Her vocal chords had God-gifted quality to render with ease the most difficult ‘Taans” (faster embellishments) and ‘Meends’ (touching notes with a camber); an art she developed after long hours of ‘Riaz’ (practice). This is the reason that whenever difficult ‘Taans’ were needed to be rendered which was out of reach of an ordinary playback singer, Zahida was called to do that task in film songs.

Music composer BA Chishti recorded a qawwali released on two sides of a gramophone record for the film ‘Mundri’ along with Munawar Sultana, Iqbal Begum Lahore Wali and Iqbal Bano. She was also picked by Baba Ji for singing in the films ‘Pattan’, ‘Dulla Bhatti’, ‘Morni’ and ‘Yakke Waali’. In all these songs, she rendered the difficult portions. Prior to these recordings, she had already become a disciple of Ustad Ashiq Hussain of Patiala Gharana in 1948 in Lahore. She had started singing at Radio Pakistan. Her gramophone record for His Masters Voice (HMV) with the Kafi “Kya Haal Sunawan Dil Da” on one side and “Maindi Ajj Kal Akh Phurkaandi Aei” on the other became a hit. By now, she was considered as an expert in singing kafis of Khawaja Ghulam Fareed. This was a beginning to no end. Subsequently she recorded many more Kafis in Punjabi, Saraiki and Sindhi for HMV, radio and stage.

Apart from singing in Kheyal and thumri formats of classical vocalisation, Zahida was also superb in singing light classical music forms like geets and ghazals. Although the film ‘Begunah’ is famous for Naseem Begum’s entry through the song “Naino May Jal Bhar Aei”, a memorable classical duet “Kaisi Raat Rageeli Aai” by Zahida and Naseem Begum is a memorable composition. The same year, music composer Rasheed Attre used this duo for a song “Ab Tou Ji Bhar Ke Khanjar Chalaenge Hum” composed in Raag Darbari for the film ‘Jan-e-Bahar’. Both crooners seem to be on the top of crooning the difficult ‘Murkis’ with ease. Rasheed Attre had also recorded a song “Nain Se Nain Milae Rakhoni Ko” in the same raag for the film ‘Waada’ in the voice of Zahida and Ustad Fateh Ali Khan. This movie was mega hit venture mainly because of its music. In August 1958, director Riaz Ahmad’s movie ‘Darbaar’ with music by Rehman Verma was released with a classical music based song “Meri Preet Bari Anmol Sakhi” in Zahida’s voice in which various ‘Taans’ beautified this song. Another long forgotten song is “Razi Rehna O Sada Raazi Rehna” from Aslam Irani’s film ‘Bacha Jamoora’ with music by Rafiq Ali. In this song Zahida’s ‘Taans’ in the middle and in the end surprised many listeners. Another qawwali “Hum Ne Saudai Daikhe Hain” has difficult portions rendered by Zahida along with Zeenat Begum and Qadir Faridi in the latter’s music. This song was from an unreleased film ‘Rahi’ penned by Radio Pakistan’s voice Ishrat Rehmani.

Zahida’s minimal repertoire in films was because of the fact that she was over busy singing for radio and gramophone companies. Also she was least bothered to contact music composers of film industry. The other movies with her songs were ‘Anokhi Dastaan’, ‘Billo’, ‘Shehri Babu’, ‘Barkha’, ‘Baap Ka Baap’ and ‘Dil Ke Tukre’.

Zahida was also very particular about getting her daughter trained in a similar style. She made her a disciple of Ustad Akhtar Hussain Khan. In an interview, Shahida Parween agreed with the observation that where her music culminated, her mother’s started. Zahida died in 1975. Shahida also passed away on March 13, 2003 at 50 years age. I have had the privilege of singing many songs and classical recitals together with Shahida for radio and PTV.

 

 

Published in Daily Times, June 23rd, 2017.

Filed Under: Lifestyle

Submit a Comment




Primary Sidebar




Latest News

Targeted operation launched after Balochistan village attack

Military vows to sustain anti-terror push, warns against hybrid threats

PM orders embassies to expedite job hunt for country’s workforce

Bilawal demands parliamentary representation of GB

Trade, investment on agenda as Zardari reaches Kyrgyzstan

Pakistan

Targeted operation launched after Balochistan village attack

Military vows to sustain anti-terror push, warns against hybrid threats

PM orders embassies to expedite job hunt for country’s workforce

Bilawal demands parliamentary representation of GB

Trade, investment on agenda as Zardari reaches Kyrgyzstan

More Posts from this Category

Business

Gold prices fall by Rs 2,400 per tola

Govt launches InvestPak Portal to reduce reliance on banks

Morocco fertiliser partnership key to national food security: minister

Rupee gains one paisa against dollar

Govt purchases expensive LNG as flows via Hormuz fail to recover

More Posts from this Category

World

Hamas dissolves Gaza governing body

Russian attack

Russian Strikes on Kyiv Kill 24 Ahead of NATO Summit

Trump threatens military action against Iran if no deal is reached

More Posts from this Category




Footer

Home
Lead Stories
Latest News
Editor’s Picks

Culture
Life & Style
Featured
Videos

Editorials
OP-EDS
Commentary
Advertise

Cartoons
Letters
Blogs
Privacy Policy

Contact
Company’s Financials
Investor Information
Terms & Conditions

Facebook
Twitter
Instagram
Youtube

© 2026 Daily Times. All rights reserved.

Manage Consent
To provide the best experiences, we use technologies like cookies to store and/or access device information. Consenting to these technologies will allow us to process data such as browsing behavior or unique IDs on this site. Not consenting or withdrawing consent, may adversely affect certain features and functions.
Functional Always active
The technical storage or access is strictly necessary for the legitimate purpose of enabling the use of a specific service explicitly requested by the subscriber or user, or for the sole purpose of carrying out the transmission of a communication over an electronic communications network.
Preferences
The technical storage or access is necessary for the legitimate purpose of storing preferences that are not requested by the subscriber or user.
Statistics
The technical storage or access that is used exclusively for statistical purposes. The technical storage or access that is used exclusively for anonymous statistical purposes. Without a subpoena, voluntary compliance on the part of your Internet Service Provider, or additional records from a third party, information stored or retrieved for this purpose alone cannot usually be used to identify you.
Marketing
The technical storage or access is required to create user profiles to send advertising, or to track the user on a website or across several websites for similar marketing purposes.
  • Manage options
  • Manage services
  • Manage {vendor_count} vendors
  • Read more about these purposes
View preferences
  • {title}
  • {title}
  • {title}