Entry in films – Rakhshi was an early entrant in Pakistani films in 1950s though she had already given appearance in 1947 film ‘Director’ made in United India. About her entry into films she narrated an incidence to Guddu Archives that she along with her friends had gone to see a shooting of Anwar Kamal Pasha’s film ‘Dulla Bhatti’. As the luck would have it, the dancer Nadra did not appear on the sets. Rakhshi was of bold and naughty nature. She was coaxed by her friends to go and offer her as a substitute dancer before Anwar Kamal Pasha. He looked at Rakhshi and smiled but did not respond thinking that she was just and college student and not a trained dancer.
Rakhshi has been a dress designer also. Her real name is Parveen. Though she was born in Lahore she had her early education; Senior Cambridge, in Dehradun’s St. Tennies school. Rakhshi disclosed in an interview with Guddu archives that her father expired three months before her birth.
Rakhshi was the first of Western type dancers from Christian Community. Neelo came much later but after minor roles established herself as a top-class heroine. There were other dancers that followed like Aimi Minwala, Zareen Panna, Niggo, Cham Cham or Farida but they could not make a niche for themselves except Aimi Minwala and Zareen Panna. The closest I can refer to Rakhshi is in the category off Sheela Ramanai from Bollywood in those days. The latter visited Pakistan and starred in Pakistani film ‘Anokhi’. Rakhshi acted in 1958 movie ‘Aadmi’ which was released on November 14 that year. Songs were sung by Nahid Niazi in the music of Muslehuddin.
Rakhshi stood fast and waited patiently. Anyhow, the background song was played and she gave dancing movements. That is how Rakhshi entered film line and never looked back since then. She was very happy to see her fans around her when she went to see her film in cinema house
Rakhshi has been type cast as a dancer in her films. She was not given acting roles as her pronunciation was western and then she did not prefer acting much. She found her work the best in Jago Hua Savera and Neend. For the former movie she had to visit London the help the British editor in editing. For the latter she liked Hassan Tariq as director (for the films Tehzeeb and Umrao Jan Ada he looked at the minor details before shooting. Rakhshi used to ignore minor incidences during shootings. She and Aimi Minwala went off well with each other. Everybody remained busy professionally.
Rakhshi’s films – As per Pakistan Film Magazine Site, overall Rakhshi’s forty four films were released; (35 Urdu, 7 Punjabi, 1 Pashto and 1 Sindhi). Out of these films six films were super hit films; 1956: Dulla Bhatti (Punjabi), 1956: Intezar (Urdu), 1956: Sarfarosh (Urdu), 1956: Baghi (Urdu), 1960: Saheli (Urdu) and 1961: Gulfam (Urdu). Her six super hit movies were Dulla Bhatti, Intezar, Sarfarosh, Baghi, Saheli and Gulfam. Her hit films were 1955: Patay Khan (Punjabi), 1956: Peengan (Punjabi), 1958: Neya Zamana (Urdu), 1958: Bharosa (Urdu) and 1961: Gul Bakavli (Urdu). Her fourteen average films were Jallan, Ilteja, Pawwan, Anjaam, Nooran, Zulfan, Changez Khan, Lakhpati, Pardesi, Salma, Sitaron Ki Dunya, Naaji, Sham Dhalay and Bahadur.
According to Site Cineplot and the word of mouth, Rakhshi ended up marrying a very rich gent. In the late 1960s, her daughters were studying at St. Denny’s college – Murree and she was trying to bring them into this profession by turning them into professional dancers much against the wishes of her husband.
The writer is the recipient of the prestigious Pride of Performance award. He can be reached at doc_amjad@hotmail.com
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