The book mainly revolves around the life of an Indian boy Jahan, who journeys to the Ottoman land with an elephant in tow. Running from an abusive stepfather and the memory of loss he sets foot in Istanbul as a mahout for a white elephant; a gift from the Shah to the Sultan. With a twist of fate he becomes an apprentice to the chief architect Sinan, though Jahan is illiterate but through the guidance of his master he changes his life. Severing both as a mahout and an apprentice he lives his life of fine balance and contradiction, of love and loneliness, of lies and loyalty.
It is an eventful tale which paints the 16th century Istanbul life with such accuracy and beauty. The book had gorgeous imagery, well thought characters and wondrous prose. Focusing on the characters, although most of the characters were men the plot somehow still revolved around women. The character development was one of the most stunning details when it comes to this book, the way Jahan’s growth as a character was described was not at all forceful it was serene and gradual. A privileged servant, an Indian in Istanbul, Jahan’s identity is shifting. He slips easily between the palace’s official building sites and gipsy camps, brothels, taverns and prisons. ElifShafak’s skills at creating atmosphere is showcased best in these seedy back alleys, and she conjures battlefields and banquet halls with equal pungency.
“If only humans could live exposed to the skies, open and unafraid, watching the stars and being watched by them, with nothing to hide.”
This story is an impressive achievement, a novel populated by swashbuckling soldiers, mysterious Gypsies and more than a few guileless courtesans.
Overall Rating on a scale of 1-10: 9/10
The writer can be reached at basmanasirmehmood@gmail.com
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