‘The Marvelous Mrs Maisel’ Season 4 — no longer marvellous

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Once upon a time there was a show on Prime Video called The Marvelous Mrs. Maisel that followed a 1950s housewife as she discovered her voice as a stand up comedian.

It was a charming comedy full of vibrant performances and featuring a heroine who went after her art with passion. Cut to 2022. The Marvelous Mrs. Maisel Season 4 certainly looks a lot like the show we fell in love with – with its beautiful fashion and period-specific sets – but it has lost its original purpose, wit, and charm. The Marvelous Mrs. Maisel Season 4 is frustrating to watch, as its characters just run around New York City sniping at each other and talking in circles. Like its leading lady, Amazon’s The Marvelous Mrs. Maisel has skidded into a heck of a rough patch.

The Marvelous Mrs. Maisel first premiered on Prime Video back in early 2017 as a pilot Amazon users could test out before the powers that be officially ordered a full season. That pilot was effervescently charming thanks to its creator, Gilmore Girls alum Amy Sherman-Palladino, and her long-time husband/collaborator, Daniel Palladino. The titular Miriam “Midge” Maisel was a spirited Upper West Side Jewish-American princess who had manage to orchestrate the perfect life for herself. That is, until she discovered her aspiring comic husband Joel wanted a divorce. Incensed, Midge gets drunk and returns to the club where Joel was meant to perform: the Gaslight. There she takes the stage and becomes an immediate alt comedy legend. From there, Midge embarks on the revolutionary path of being a female comedian in 1950s New York City.

The Marvelous Mrs. Maisel Season 4 begins in the aftermath of Season 3’s explosive finale. Midge had set herself up as the opening act for Shy Baldwin (Leroy McClain), a massive music star, and was about to leave with him on a European tour. However, Shy’s manager Reggie dumps Midge from the tour on the tarmac because she essentially outed the closeted gay singer while on stage at the Apollo. Midge, who does not take kindly to set backs, has a temper tantrum over this. Does she pause and consider that she might have been in the wrong for exposing her employer’s personal secret for laughs? Nope! She instead clings to the knowledge that the crowd loved it and tells her manager Susie that she will only do shows where she can be unfettered on stage.

I wish I could say that Midge embarks on a fascinating character arc that justifies her childish behavior or that The Marvelous Mrs. Maisel finally doubles down on making her the unlikely villain of the show.

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