And the singing is simply stunning. During the interval, a fellow opera critic cynically said to me that this production is always the same. Whilst I am alright with the idea of innovation in classical opera, I relish when it is done right and this is definitely one of the few performances that I truly adored.
Hrachuhi Bassenz playing the part of the courtesan Violetta Valery, on whom the entire opera is entered on, sang her heart out even though she was not in the best of health that evening. It took her a little while to get into the groove but she had the audience on her side fairly quickly.
The notion of a saintly courtesan is so antithetical and baffling that it is hard to stomach in thought and even harder to perform on stage. A courtesan is often stereotyped as a person who is draped in sin, but this one has a heart of gold. In the very beginning of the opera, she is introduced to Alfredo Germont played by Liparit Avetisyan; he declares his love to Violetta but she says that she is not for any serious engagement with men as she is destined for the life of pleasure. But then she proves to have a moral compass, someone with the ability to transcend herself for the better of the other and sacrifice for the sake of love-had it not been for this twist in the plot, La Traviata would’ve been fluff opera.
The notion of a saintly courtesan is so antithetical and baffling that it is hard to stomach in thought and even harder to perform on stage. A courtesan is often stereotyped as a person who is draped in sin, but this one has a heart of gold. In the very beginning of the opera, she is introduced to Alfredo Germont played by Liparit Avetisyan, who declares his love to Violetta but she says that she is not for any serious engagement with men as she is destined for the life of pleasure
Mr. Simon Keenlyside, who wonderfully plays the part of Alfredo’s father, is another strong link in the opera in terms of top-notch singing. His character responsible for Violetta’s predicament and ultimate sacrifice, as he comes to plead to Violetta to part ways with his son because their scandalous romance is the very cause of his daughter’s trouble who is soon to be married, but their liaison could very well jeopardise the impending marriage.
The writer is an educationalist and broadcaster. He can be reached on fahad@caa.columbia.edu
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