Daily Times

Singer and songwriter Harry Styles twirls in the centre of the floor of the LA Forum, dancing wildly to his new song “Golden.”

The venue is deserted. It’s Thursday afternoon, just a few hours before the release of his hotly awaited second album, Fine Line. He’s rehearsing for Friday night’s big album-release celebration show. (Outside the arena, the parking lot is full of tents – fans from around the world have been camping out all week, awaiting a spot on this floor.) After a few hours of rehearsing with his band, Styles cuts loose as the new album begins to blast over the speakers, breaking into a dance of joy. It’s probably the last time he’ll ever hear this song in a room where nobody else is dancing.

Backstage, he lounges on a leather couch in his corduroy flares, a string of pearls and a yellow T-shirt depicting a panda and the words “I’m Gonna Die Lonely.” He and his musical wingman, Tom “Kid Harpoon” Hull, argue over the set list for the upcoming world tour, even though it doesn’t start until April. His mother reaches for an apple; ever the dutiful rock-star son, Styles directs her to the bowl where the tastier apples are hidden. He’s restless with anticipation for the world to hear his new songs, and he’s not doing a great job of hiding it.

‘Fine Line’ is the soulful, expansive, joyous pop masterpiece Harry Styles has been reaching for ever since he blew up nearly 10 years ago, as the heartthrob of One Direction. As he sings in ‘Lights Up,’ the single that dropped in September, he is stepping into the light. ‘It all just comes down to I’m having more fun, I guess,’ he says

Fine Line is the soulful, expansive, joyous pop masterpiece Styles has been reaching for ever since he blew up nearly 10 years ago, as the heartthrob of One Direction. As he sings in “Lights Up,” the single that dropped in September, he’s stepping into the light. “It all just comes down to I’m having more fun, I guess,” he says. “I think ‘Lights Up’ came at the end of a long period of self-reflection, self-acceptance,” he says. “Through the two years of making the record I went through a lot of personal changes – I just had the conversations with myself that you don’t always have. And I just feel more comfortable being myself.”

His life has changed in oh-so-many ways – some involving the occasional magic mushroom, others involving the even more psychedelic power of a broken heart. The music ranges from the Laurel Canyon hippie soft-rock vibe of “Canyon Moon” – Styles calls it “Crosby, Stills, and Nash on steroids” – to the R&B pulse of “Adore You.” Fine Line is a breakup album that’s often sorrowful but reflects the introspective evolution of a 25-year-old navigating the seas of having sex and feeling sad, despite Styles having spent so much of his youth in the spotlight. He’s refusing to follow trends or fit any formula. “The overall arc is just that I tried to redefine what success means to me. I tried to rewire what I thought about it. A lot changes in two years, especially after coming out of the band and just working out what life is now. I feel so much freer, making this album – you get to a place where you feel happy even if the song is about the time when you weren’t that happy.”

The first time Styles played this album for me, back in June, it was a few miles away, in Los Angeles’s Henson Studios, the same room where his idol Carole King made Tapestry – for him, sacred ground. “I look back on the last album,” he said then, referring to his 2017 solo debut. “And I thought I was being so honest, just because there’s one line about having a wank. I had no idea. You write a song that’s pretty open and honest, and you think, ‘That’s just my song,’ but then you hand it over to people, and it’s like, ‘Oh f***!’ Until people hear them, they’re not even songs. They’re just voice notes.”