The organic contours and figurative symbolism in her work speaks to the viewer in a highly compelling and thought provoking way. Her work at times is comical, exaggerated, a heaven of textured abstraction, a forced deconstruction, and a pure rejection of the classical. It urges us to renegotiate painting as part of a reactive or at times autistic medium, commenting on oppressing themes in our contemporary society, personal adventures and sorrows. By contesting the division between the realm of memory and the realm of experience, she creates intense personal moments that are masterfully created by means of rules and omissions, acceptance and refusal, luring the viewer round and round in circles.
Her works doesn’t necessarily reference a recognisable form and the results are deconstructed to the extent that meaning is shifted and possible interpretation becomes multifaceted. By rejecting an objective truth and cultural narratives, we are faced with an unprecedented situation in which the viewer is confronted with the conditioning of his own perception and has to reconsider his biased stance. The possible seems true and the truth exists, but it has many faces. Zara Khan currently lives and works in Karachi, Pakistan.
Published in Daily Times, May 11th 2018.
Cotton arrival in Pakistan registered a significant decline of 33% as of December 31, 2024,…
The 100-Index of the Pakistan Stock Exchange (PSX) continued with bullish trend on Wednesday, gaining…
Pakistani rupee on Friday appreciated by 8 paisa against the US dollar in the interbank…
The price of 24 karat per tola gold increased by Rs.2,200 and was traded at…
The Central Directorate of National Savings (CDNS) has realized a target of Rs 700 billion…
KP Minister for Food Zahir Toru has said that the provincial government has constituted a…
Leave a Comment