Kahn draws inspiration from French female directors such as Julia Ducournau and Mati Diop, who use genre in new and exciting ways. He transforms Pakistan’s patriarchal reality into an ominous demonic threat to the film’s central characters. Karachi, the birthplace of Sufism, provides the perfect backdrop for the film’s supernatural elements. The city has a long folkloric tradition of djinn and ghosts, which are inspired by the spirits of Sufi Islam.
The film also highlights the discrimination that women face in Pakistan. Women’s property rights are rarely respected or enforced and families often apply social pressure on women to give up their property. Few women go to court because of the social stigma attached to being a woman in court. The film’s real men are scarcely less horrifying than the demons that haunt Mariam. One throws a brick through her car window and tries to grab her, while another stranger masturbates on her balcony.
By framing his story as a horror film, Kahn gives Mariam agency over her tormentors. In socially-realist dramas, the protagonist often suffers, and that suffering is what the audience takes away. But in horror films like in Flames, the final girl conquers her demons and takes back her power.
The American author John Maxwell has nicely advised leaders, “You must be big enough to…
As cheers of spectators reverberate, Ravi Jeep Rally becomes more than just a sporting event…
In a welcome development for travelers, flights operated by Pakistan International Airlines (PIA) in the…
“Agriculture, as a sector, hold the key to prosperity, food security, and the socioeconomic upliftment…
Months after a witty, holier-than-thou, jack-of-all-trades caretaker government retreated from the executive, repeated horrors from…
For all those hoping to see matured Pak-India relations enter a new chapter of normalisation,…
Leave a Comment