I have a theory about Greg Daniels’ approach to all the TV series he’s either created or had a hand in creating over the years, a theory that I came to believe even more strongly while watching episodes of his new Space Force series for Netflix that the streamer made available early for reviewers. Daniels, of course, has made a name for himself as a showrunner in charge of landmark TV comedies that have stuck to the tried-and-true half-hour format, which isn’t necessarily what you might regard as the provenance of great, enduring art, nor the kind of prestige TV that sends critics reeling.