Iranian filmmaker Mohammad Rasoulof’s “The Seed of the Sacred Fig” won a special prize at the Cannes film festival last year and is hoping to go one better at the Oscars on Sunday. But the powerful drama, set during the “Woman, Life, Freedom” wave of protests and nominated for best international film in the 97th Academy Awards, will not be presented as an Iranian film. Instead, the movie – which is highly critical of the Iranian government and was shot in secret – will run as the entry for Germany, which co-produced it and where Rasoulof and three young stars of the film are now living in exile. Niousha Akhshi, Mahsa Rostami and Setareh Maleki were forced to flee Iran after making the film, leaving their families behind, and settled in Berlin. In an interview alongside the two other women, Maleki told AFP that being nominated for an Oscar “feels truly magical to us”. Maleki, 32, said she was proud that “a project made with minimal resources and a small team – due to its unique circumstances – has found its place in the biggest film events in the world”. Akhshi, 31, said the nomination was a tribute to “independent cinema that has not been subjugated and says what it wants”. A tense political drama set in Tehran, “The Seed of the Sacred Fig” takes place against the backdrop of the protests sparked by the death of young Iranian-Kurdish woman Mahsa Amini. Amini died in custody in September 2022 after being arrested for an alleged breach of the mandatory dress code for women in the Islamic Republic of Iran. In the film, investigating judge Iman, who works at the Revolutionary Court in Tehran, becomes a zealous cog in the government machine, eagerly convicting demonstrators. But his two daughters secretly support the protests, while their mother is caught in the middle, desperately trying to keep the family from falling apart. “We shot it in very unusual conditions,” said Rostami, 32, who plays the older sister. Filming took place in early 2024 in secret in Iran, without Rasoulof who was already in hiding, and with great risks to the actresses who had agreed to appear without headscarves. “We had to appear in front of the camera with fear, we always feared that the camera could be stopped,” Rostami said. The filming was “very stressful and difficult, but despite all the pressure, it was also an incredibly enjoyable experience”, added Maleki, who plays the younger sister. “We, in Iran, are used to living underground – used to being ourselves in hidden spaces. And there, we were truly ourselves, with our own beliefs,” she said. The three actresses all participated in the protests after the death of Amini, with the unrest shown in the film through real-life social media footage. “We ourselves are part of the people, we were on the streets, throwing stones and having stones thrown at us, being hit by bullets,” said Akhshi, who plays a friend of the sisters who is blinded by a police shot. “For me, acting in this film was a way of conveying all the courage I had inside me,” she said. The film’s success has been bittersweet for the three actresses, now facing the prospect of a life in exile like Rasoulof – who has been sentenced to eight years in jail in Iran. “It pains me to the depths of my heart,” said Rostami, her face expressionless. But the actresses agree that not being able to return to their home would be a price worth paying. “If you have appeared in a film without a headscarf in Iran, you cannot go on with your life, you have to leave. To continue, you are forced to leave your country,” Akhshi said. “I could have stayed, but that would have meant going to court, not knowing what my sentence would be, and living under constant stress,” Maleki added. From their new base in Berlin, where they are all learning German, the actresses will promote the movie throughout Europe and hope to find new projects in film or theatre.